ੴ ਸਤਿਨਾਮੁ ਕਰਤਾ ਪੁਰਖੁ ਨਿਰਭਉ ਨਿਰਵੈਰੁ ਅਕਾਲ ਮੂਰਤਿ ਅਜੂਨੀ ਸੈਭੰ ਗੁਰਪ੍ਰਸਾਦਿ ॥ ਜਪੁ ॥ ਆਦਿਸਚੁ ਜੁਗਾਦਿਸਚੁ ਹੈਭੀਸਚੁ ਨਾਨਕ ਹੋਸੀਭੀਸਚੁ॥੧॥
Ik Onkar Satnam Karta Purakh Nirbhao Nirvair Akaal Moorat Ajooni Saibhang Gurprasad ॥ Jap ॥ Aadh sach Jugaadh sach Hai bhee sach Nanak hosee bhee sach ॥1॥
Mool Mantra – first composition in the Guru Granth Saheb, repeated over a 100 times through the text of the holy book of the Sikhs
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I dedicate this to the sound of a prayer I have heard through out my growing years – not in a forced prayer time way but in a subtle background music way.
Mercy is a poet
patient with the need for practice
keeping music afloat as we learn to absorb
syllable by syllable
discovering faith in every nuance of it’s sound
Mercy is a poem
unfolding itself into an extraordinariness
gaining momentum and fortitude
sensing space, creating largeness
within and without
Mercy is a poet
inhaling admiration
exhaling adoration
inhaling shame
exhaling strength
inhaling solitude
exhaling participation
Mercy is a poem
my grandma muttered in submission every night
the same mantra became gratitude when hummed by my mother
and became a war cry when chanted aloud by my father
remained ever my hopeful guide
Mercy is a poet
that inscribed it’s words into the corners of my children’s existence
nudging into them at corners, resonating them to their roots
Mercy is a poem
that has a hum, lingering like a silent whisper
on the tip of my tongue
affirmations thawing themselves into my heart
bathing me with relevance
sieving the melody from the noise
Ik Onkar Satnam
NaPoWriMo 2018
base your poem on a sound you have heard
lyric, prayer, phrases, heard aloud over years
This is deep and very beautiful
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So kind of you Benita
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